Tag Archives: Sweden

Swedish wildlife extinction threat as loggers clear-cut ‘old growth’ forests Updated for 2026





A camera follows a peregrine falcon as it swoops low over an attractive, pristine river hugged by trees in remote northern Sweden.

It then soars higher, revealing that the river flows through a large area which has been clear-felled of forest.

Stripped bare, it is as if an atomic bomb has been detonated over the land.

Aimed at raising public awareness, the message of the video by the Swedish Society for Nature Conservation (SSNC) (see below) is clear: Sweden no longer looks like what you think.

While Sweden’s forest cover of 60% of the country’s land area is one of the highest in Europe, it is calculated that more than half of Sweden’s productive forests have been felled since the 1950s.

With paper, pulp, cardboard, and sawn timber comprising the main products of the forestry sector, much of it bound for European markets, the vast majority of the country’s forest landscape has been affected by intense forestry methods.

Dominated by five large companies (the largest of which, state-owned Sveaskog, owns 14% of the country’s forest) and a number of smaller landowners, the forestry sector has the rights to 96% of Sweden’s productive forests – land deemed as suitable for forestry.

Logging vs. old growth and biodiversity

With much of Sweden’s forest cover comprised of young forests not yet ready to be harvested, there is intense pressure to log Sweden’s remaining mature, old-growth forests – ‘natural’ forests so far only minimally affected by modern forestry and typically of great importance for the ecosystem and biodiversity.

Sweden no longer looks as you think – from SSNC / Naturskyddsföreningen on Vimeo.


I sit down with a worried Malin Sahlin, the SSNC’s boreal forest policy officer, in her office in Stockholm. “The country is going into the last stage of transformation in terms of forest ecology right now due to the fact we are clear-felling the last of our forests that have never been clear felled before … and turning the forest landscape, through replanting, pretty much into a monoculture”, she tells me.

The future for Sweden’s forests looks bleak. According to Sahlin, “if we continue today business as usual, there might in 20 years from now only be 5% of natural-like forests left and the rest could be in production.”

Sweden’s forest cover comprises part of the vast boreal forest that stretches across the northern part of the globe. Its old-growth forests are an important carbon sink that helps to regulate the earth’s temperature.

Not only this, but such forests typically contain a large amount of dead wood, which forms a crucial habitat for many species. A report by the WWF cites the severe lack of dead wood as constituting one of the main reasons for the loss of biodiversity in European forests.

Of over 20,000 species of flora and fauna assessed in Sweden according to IUCN criteria, around 20% are categorized as ‘red-listed’ (nearly half of which are threatened), with mature forests being especially important for many of those species.

Published every five years, the Swedish Species Information Centre in Uppsala is currently updating Sweden’s Red List, which is due to be issued in 2015. While pointing out that extinction processes in forest ecosystems are long term, Artur Larrson of the Centre argues that the current situation is “bad with a constant decline in species.”

Larsson further explains: “Typically more sedentary species like species like fungi, bryophytes and lichens are harmed most … but even more mobile species like birds, mammals and flying insects can also suffer from the extensive landscape change that forestry causes, for example a lack of dead wood of the right quality, lack of old and slow growing trees, denser and darker forests, and so on.”

Failures of regulation, protection and certification

In 1999 Sweden outlined 16 environmental objectives to be met by 2020 – one of which is sustainable forests. However, the Swedish Environmental Protection Agency – the body tasked with monitoring the objectives – has deemed the objective as unreachable under current policy instruments.

With the forestry model based on the principle of ‘freedom with responsibility’, critics argue that the lack of clear and stringent legislation has led to this freedom being hijacked by irresponsible forestry practices.

As a report by the SSNC argues, “the Swedish forestry model involves clear-cutting as the default method, soil scarification, systematic use of chemicals, plantation forestry and the use of non-native species.”

Failure is also laid at the door of the certification schemes of the Forest Stewardship Council and Programme for the Endorsement of Forest Certification tasked with monitoring that forestry is conducted sustainably according to the criteria.

“We’ve been out in the field over many years and we have found that the big five forest companies are not following the criteria of the certification”, says Malin Sahlin. “Furthermore, the certification bodies have not done their job properly in many of the cases of violations that we have reported.”

The wider issue is also that there is not enough protected forest in Sweden. With only 4% of its productive forest under formal protection, Sweden lags far behind the recommendations of conservationists who argue that at least 20% of the country’s productive forest land should be protected.

Furthermore, it is also clear that Sweden is not meeting the biodiversity objectives of the Convention on Biological Diversity, which stipulates that at least 17% of the land surface area should be conserved by 2020. Artur Larsson points out that it is not only a question of protecting what remains, but also restoring already ‘degraded’ forest if biodiversity targets are to be met.

Jobs, profits, and biofuels

The powerful Swedish forest industry and its allies – former Swedish Prime Minister Göran Persson has been a chairperson of Sveaskog since 2008 – have branded the assessments of critics as “alarmist” and point to the importance of the industry for Sweden’s economy.

According to the Swedish Forest Agency, exports of forestry and forest industry amounted to SEK 118 billion (over £10 billion) in 2013, contributing to 11% of the country’s total export value. In terms of jobs, it is estimated that around 60,000 people directly depend on the industry whilst employing triple that number indirectly.

The industry is also keen to burnish its image in terms of the growing role of wood fuels as a renewable energy source. In fact, having eclipsed oil, bioenergy now accounts for one-third of Sweden’s domestic energy use, with wood fuel accounting for nearly half of biomass sources.

Critics counter that while commercial forestry is indeed an important generator of jobs and revenue, it is only one consideration among many. Maintaining biodiversity, clean air and water, as well as eco-tourism – a boom industry in Sweden – all depend on healthy forests.

Looking to the future

In just two decades from now, Sweden faces the prospect of having lost much of its remaining old-growth forests with the rest (outside of protected areas) turned more or less into plantation forests lower in biodiversity, their original character and value having been degraded.

Many people agree that, in addition to the adoption of better practices and more effective regulation including formal protection, there needs to be an immediate stop or at least scaling back of the cutting down of natural-like forests to halt the current trend. Yet such a decision would be unpopular as it would cut into the profits and jobs of the big forestry companies.

With Sweden’s forests at a critical juncture, it remains to be seen whether Sweden’s new government, with the Green Party occupying key posts, will muster up the necessary political will to take the necessary steps.

 


 

Petition:Saving old growth forest in Sweden‘.

Alec Forss is a freelance writer living in Sweden. He specializes in writing on the outdoors as well as social and environmental issues (www.alecforss.com).

 

 




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Far Updated for 2026

Eriophorum in its environment

In a previous post, the photographing ecologist explained the importance of getting low to get the interesting and catchy pictures of your scientific subjects. As you can imagine the extra effort this would ask from your knees, I here want to highlight one more reason why it is certainly worth the effort: it creates the chance to display your subject in its wider environment.

Invasion of red clover along Norwegian fjord

Invasion of red clover along Norwegian fjord

This wider environment is an important factor. As scientists, we have the habit to focus too much on the details. From our first steps in the PhD, we dive too deep in our own little niche. And as we get closer and closer to our subjects, it might become difficult to communicate to uninformed outsiders about the broad picture.

Exotic dandelion in the mountains

Non-native dandelion in the mountains

A good picture could be the rescue here. It provides a non-scientific public immediately with a lot of useful information about your study object and its environment. Especially when you took into account the ‘Low’ and ‘Far’ strategies…

Experiment with its background view

Experiment in the Swedish mountains with its background view

When you dare to ignore the common urge to take a frame-filling picture of your subject, you improve your chances of explaining the details to your audience. A well-designed picture in which attention has been paid to the background, starts telling its own story. A story about the world in which your study object lives, the ecological framework in which everything is situated. Although you loose small-scale details if you refrain from close-up images, you get a large amount of information in return that broadens the view.

Herd of reindeer in their typical environment: roaming the tundra with the Lapporten mountains in the background

Herd of reindeer in their typical environment: roaming the tundra with the Lapporten mountains in the background

Taking some steps back might also help to get a simpler image, one that is easier to understand. Keep an eye out for distinct lines and shapes in the landscape, as they can provide a pause for the eye of the viewer. This will make the true subject of the picture to stand out.

With this close-up of a dead lemming in the Scandinavian mountains, for example, you can see the details of the gruesome torture that happened to this poor animal.

Dead lemming in close-up

But I also love the next overview, as it adds an extra dimension to the story. How the little fellow was probably left behind on that rock by a bird of prey. How the hunter was chased away from his favourite look-out on the valley by an unwanted visitor halfway its meal.

Lemming with valley overview

 

So, going ‘far’ from your subject turns out to be an interesting way to tell ecological stories. I experienced the trick to work for people as well. A picture of an ecologist in action in the middle of his ’natural habitat’ emits a lot more power than any detailed close-up will ever get.

Hiking towards the field site

Hiking through the Scandinavian mountains in search for an experimental plot

 

 

November 6, 2014

Low Updated for 2026

Cotton grass on the shore of a lake

In a previous post, I wrote about the power of photography for ecologists. Now, it is time to provide some real tips for photographing ecologists. How to take home some pictures that will impress others, without – importantly – losing any working time?

Cotton grass on the shore of a lake

Most ecologists will take a camera into the field anyway. It is used to take pictures of their research site or subject, or record some important details for later. As you already have your camera in your hand, it will not cost you too much effort to take just one more picture.

Autumn seeds in Lapland

In that case, it might be a smart idea to get a little bit lower, up to the level of your study object, to check the world from its point of view.

Mountain mushroom

The combination of integrating your study object in the landscape and letting it stand out of the background results in more interesting images. It makes it possible for an observer to feel a connection with the subject and it makes the picture tell a much more interesting story.

Hiking in the Swedish mountains

Even if your study object is a dull bird or a boring plant, getting on its level will bring out the best in it and give it a soul.

House sparrow

If possible, try to include the horizon in the picture. It will ask a lot more of your knees, but the rewards are big. As the (obviously real) Lappish proverb goes: ‘A beautiful horizon can even make a dead lemming look poetic’.

Dead lemming on a rock

I did not invest too much time in getting a nice overview of my study species, the invasive plants in my plots. An awfully difficult subject for an artist, I have to admit, but by quickly spending two minutes as a photographer before you dive into the science, might have been rewarding even in this case.

Experimental plot

Take home message: low! Take your pictures from a low angle and give their stories a boost!

Achillea millefolium

 Want more from Jonas Lembrechts?

October 3, 2014

The photographing ecologist Updated for 2026

Plant in its natural environment

Photography is classified as art, ecology is science. Two distinct worlds that only very rarely show some overlap. I am however convinced that a combination of both disciplines could be very fruitful. Being a photographing ecologist, or ecological photographer not only gives artistic satisfaction, but it can also be a serious addition to your science.

Although taking pictures on a busy fieldwork day might feel like a waste of precious time, it can be really valuable to assign some minutes in the field to photography and make sure you are familiar with at least the basic skills of the art.

Overview of the plot

Inevitably, there will be a moment where you have to present your work: posters, powerpoint presentations, or just to a supervisor in the lab. The saying that one image is better than a 1000 words might be getting old, but it still holds true, a thing every scientist probably realizes when working on his slides.

 

Pictures for future reference

It might be common sense to spend at least five minutes of your working time in the field to photograph field sites, measuring methods and environmental characteristics, for your own reference or other peoples imagination. But it would even be better if you added another five minutes to the first five to zoom in on some details.

Plot on 1000 meters height, Abisko

Change the viewpoint and try to catch your field site in its environment. The lower scientific value is replaced by an aesthetic one. Or get some of your study species into focus…Plant in its natural environment

It is pretty obvious that a beautiful picture makes every story more attractive. If you want to convince the non-scientific world of the importance of your research, a catching picture will increase your impact factor a thousandfold (and I promise you, journalists are great at choosing the most irrelevant ones if you leave that task to them).

Hiking to the fieldwork

Even for the scientific public, however, a catchy picture will improve the results and the scope. No matter how interesting your story, nice illustrations will keep a larger audience awake during your presentation, and attract more people to your posters. Just give them those few seconds relief from the interesting but tiring statistical theories!

Plot for scale in the mountains

To finish, never forget the power of stories. Science is more than only the results and the 2 or 3 papers that come out of it. The process, arguably the largest part of the work, and the impressive, exotic, adventurous stories resulting from them can help enhancing the public’s understanding and appreciation of your research every day of the year. A photographic diary of your field trip might raise a lot more interest than all your scientific papers combined.

Angry lemming in the plot

 

Biology is a foreign discipline to a large part of the population. They do not have a clue about how our scientific statements come into existence. They will be surprised about the complexity of the scientific process, and the variation, excitement and attractiveness of ecological fieldwork. Scientific information will follow on the way. Enjoying the scenery at Torneträsk Lake, Abisko

This should make the importance of the use of photography as a powerful tool in science obvious. Let us thus all pack a camera as indispensable fieldwork gear in the future and revive our artistic alter ego’s. In some future posts, I will cover a set of useful skills to make those few artistic minutes as efficient as possible, so with only 3 or 4 clicks, you can get the best results out of your camera.

Jonas Lembrechts balances between being an ecological photographer and a photographing ecologist on his way to a PhD in mountain ecology. Follow his adventures here!

September 22, 2014